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Vivin Agista at work
Now Editing
Short Form Video Editor

agysta.

Turning your travel, vlogs & brand footage
into stories that bring the feeling back.


Travel · Vlogs · Lifestyle · Brand Content Based in Indonesia · Working remotely worldwide
About
Malang, Indonesia
About

Hi, I'm Vivin Agista.

Agysta is the name behind my work.

I started loving video editing because of the moments that are hard to capture exactly the way they felt, so I use footage, music, words, sound and timing to bring that feeling back.

I don't want to change what was there. I want to help the footage tell the story I saw.

I work in both English and Indonesian, including vlogs and story driven videos where understanding the context matters.

Things I love → Good stories Friendship New places Solo travel Filming Storytelling New experiences Nature Typography Little details Handwriting
Based In
Malang, ID
Focus
Short-Form & Reels
Languages
ID / EN
Turnaround
2 to 4 Days
Featured Work

The Stories I've Shaped.

A collection of travel reels, food reviews, storytelling edits and brand content I've made from raw footage.

Swipe or tap the arrows to see more edits
Editing Style

Every Part of the Edit Tells Something.

The words, the music, the timing and every cut all have a part to play.

Start With The Feeling

Before I start cutting, I want to understand what the video is trying to say.

Let The Text Say Something

Text can add personality or help a moment land. It should have a reason to be there.

Music Changes The Feeling

The right song can make a simple moment feel more alive.

Timing Changes Everything

A quick cut creates energy. Holding a shot a little longer lets it sink in.

Craft
How We'd Work Together

From Raw Footage to Final Video.

A simple process, so you can focus on your story. I'll take care of shaping it.

You send the story.

Raw footage, references, ideas, a messy camera roll. Whatever you have, send it my way.

Explain the feeling.

What should people feel when they watch it, so the video feels more like you.

I shape the story.

This is where the cutting, pacing, music and small details come together.

You get the final story.

Ready to post, share, or simply keep.

Case File

One Edit, Fully Unpacked.

This isn't a general "how it usually goes." It's one real, already-delivered client project, laid out exactly as it happened, from raw files to final cut.

Real Client Project • Already Delivered
Case File No. 01 ClientThe Client ~45 Min Raw Footage
Most Wanted
Subject: The Editor
Exhibit A — Brief

The client didn't come with a brief. They sent over the raw footage and left the concept, structure and edit entirely in my hands.

Direction Given: None Footage: Client-Shot Creative Control: Full
Exhibit B — The Challenge
  1. None of the footage was shot with a cinematic eye
  2. Ratios were a mix of landscape and portrait
  3. Almost entirely selfie shots, very little else
  4. Barely any B-roll to fill the gaps
  5. Several clips were shaky and unstable
  6. The vlog was spoken entirely in Filipino, a language I don't understand
  7. Shots showing the location or the client's full presence lasted only 1–4 seconds
  8. A number of clips were underexposed and dark
  9. About 45 minutes of raw footage to work through
Exhibit C — The Fix
  1. Reframed toward the most visually interesting angle, plus speed ramps, transitions, motion graphics and color grading for a cinematic feel
  2. Landscape clips fit into a 3-grid layout, others styled like polaroid cutouts, so everything still played 9:16
  3. Maximized every non-selfie clip through framing and pacing so it could carry more weight
  4. Spread the limited footage across more scenes than it originally covered
  5. Smoothed shaky clips in the edit, or turned them into a stylistic slow-motion speed ramp
  6. Built the story order from file names, sent an early rough cut, revised against the client's notes and a transcript
  7. Used framing, speed ramps and music to turn short static shots into something more alive
  8. Corrected brightness and color grading to bring the mood back into darker clips
  9. Watched all 45 minutes first, then kept only the scenes actually needed
Case Closed Exhibit D — The Result

What started as 45 minutes of shaky, mismatched, language-barrier footage turned into one of the client's best-performing uploads in recent memory. Views climbed well past their usual range, and likes and shares followed the same trend, both landing well above what other recent posts had reached.

Views: Well Above Norm Likes: Well Above Norm Shares: Well Above Norm Standing: Best Recent Upload
Kind words

What Clients Say

CLIP_01.MOV

We had a clear idea of the color grading and the text we wanted on screen, and Agysta ran with it from filming to the final cut. She wrote the concept, handled the shoot, and edited everything herself. We keep coming back to her for every new campaign.

CLIP_02.MOV

I just send over raw clips and let her decide the concept and the style. She always gets it right without me having to explain much. Most of what I post now, she's the one behind it.

CLIP_03.MOV

I gave her raw footage with absolutely no creative direction, and what she built out of it was beyond expectations. I'm amazed! Her creativity is freaking awesome! Agysta can change raw footage into something so attractive and seamless.

FAQ

Before We Start...

Preview

I mainly edit travel videos, vlogs, lifestyle content and short form content for lifestyle brands.

I work in both English and Indonesian. For vlogs and story driven content, being able to understand the language helps me follow the conversation, understand the context and put the story together naturally.

Your raw footage, a little information about the project and any references you have in mind. If you have a specific mood, story or feeling in mind, feel free to share that too.

I primarily use CapCut Pro, optimized for a high-end short-form workflow. But more than the tool, my focus is on how the video feels: crafting the right pacing, sound design, color adjustments, and typography so the footage hits just right.

My usual turnaround time is 2 to 4 days, depending on the length and complexity of the project. I will confirm the expected delivery time before starting the edit.

Up to 2 rounds of minor revisions are included. Minor revisions can include small changes to timing, text, clips or other details. Changes to the overall concept, music choice or direction of the edit are considered a new edit request and may require additional discussion.

Absolutely. References help me understand the mood, pacing and direction you're looking for.

Yes. If you already have a visual style, I can use it as a guide while keeping the edit natural to your content.

You send me the footage and direction. I work on the first edit, you review it, and we make any needed adjustments before final delivery.

Yes. I work remotely and can collaborate with clients from anywhere.

Send me a message through the contact form with a little about your project. I'll take it from there.

Absolutely. You don't need to have everything figured out before reaching out. Tell me what you're working on and we'll figure out the best approach together.

Still have questions? Let's talk!

Let's Work Together

Have a Story in Mind?

I'd love to hear about it.

Send me the footage, the idea or even just a rough direction. We can figure out the rest together.

Based in Malang, Indonesia · Usually replies within 24 hours

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